Showing posts with label Interview. Show all posts
Showing posts with label Interview. Show all posts

Monday, September 12, 2022

Dennis Feitosa, The Artist Known as Def Noodles - Comedy

Def Noodles, keeping them entertained.

The comedian known to the planet as Def Noodles cannot be described by just a few adjectives or merely as a noun. A funny multimedia entertainer who knows how to criticize as good as he characterizes, Dennis Feitosa, aka Def Noodles, has several YouTube channels, and a heavy online presence, with more followers than Gandhi and more laughs than humanly possible. Armed with his own fully operational studio, as well as his own comedy club, the businessman, producer, director, comedian and successful media personality is a force to be feared, online or on the stage.

Def Noodles desire to right wrongs and tell truths has made him some adversaries. That's ok, the ancient Japanese samurai had a proverb: "An individual with no enemies is probably not respectable." The courage to say what's against mundane cultural norms is a hallmark of any famous comedian or writer, from Lenny Bruce to George Carlin to Richard Pryor to Dave Chapelle, today.

With so many YouTube channels dedicated to denigrating him you'd think he was some sort of superhero going up against an evil online conglomerate with only one power...filming themselves complaining about another, more qualified person's hard work.


His club, his comedy, and the people who love it.

In a recent adventure Def Noodles hosted a roast at his comedy club in downtown LA, right off of Sunset Ave. where many legendary stand up comics got their start. While a traditional comedy roast is supposed to be good fun, where nobody loses their temper and silver tongues win, not violence, a man somewhat unknown to the world calling himself Salvo Pancakes (hereafter known as Mr. Pancakes) decided to try to ruin a fun night out by trying to start a fight and create a scandal to gain notoriety, similar to the dumbass that rushed Dave Chapelle months ago and got so beat up he looked like he lost The Ultimate Fighting Championship.

Violence is never cool in stand up comedy, and The Slap, which is what comedians call what Will Smith did to Chris Rock at the last Academy Awards, has made stand up comics afraid to perform, especially females. Mr. Pancakes didn't just act like a kichigai (it's a great Japanese word, perfect for describing an egotistical narcissist that ruins the party, look it up) for his fifteen seconds of online fame...the man ruined his career and endangered the lives of women in the club, trying to start a riot just because of an online argument that never needed to get violent. I guess Mr. Pancakes isn't a feminist, aside from not being fun to work with or funny to others. So what happened?


How did Mr. Pancakes end up at your show?

Def Noodles: It's a crazy story. I can't go into all of the details because it involves a legal situation. Essentially, we did the first roast battle. People online would chicken out. They would all talk a bunch of shit I would invite them to come over and they would all find some excuse. We had one person say, "I'm going! I'm going!" on Twitter space and then I said I would pay for her ticket to come, and she said, "I can't." So we did the first one. It was very successful. A lot of fun to do. A lot of people really enjoyed it and came back for the second one.

The first Roast Battle was sold out, right?

Def Noodles: Yeah, it sold out. The narrative on the internet is that I had seven friends here. As far as tickets go we sold 38, 39 tickets, we had all the plus ones and the guests, so it was about 50 people. For the second Roast Battle we had 55 to 60 people. So the difference is that we only had one camera angle on the first one because I had some technical issues so we didn't really show the audience but there were a lot of people in the building. The whole building was packed for the second one.

So how Pancakes ended up at the second one is that as soon as I announced it...I think I announced the second one after maybe a couple days after the first. He reached out and said he really wanted to be in it, that he would fly in from Ohio, which is where he's from...he essentially invited himself. I was aware he was a troll who works for people I'm suing. I thought it would be a good precedent to set for other YouTubers.

You wanted to give others a chance to back up their words, and also give yourself a chance to do the same.

Def Noodles: Yeah. I liked the idea of having somebody show up. This has never been done before in the YouTube community. Comedy happens all the time. On YouTube it's usually people talking shit behind a screen protected by the anonymity or the difference between themselves. So I thought it would be interesting to have that play out here and that's how he (Mr. Pancakes) ended up getting invited. I was like, "Let's have a YouTuber." I like helping out people. We help each other out all the time out here.

To his credit, he's being courageous. You are pretty high up up there amongst the clouds with your career and this guy is still on Earth, so you are being nice to reach down and help this dude.

Mr. Pancakes, being unhappy.

Def Noodles: Yeah, the entertainment business is not really built for upward mobility. All of this I had to build myself. I had to save the money and then surround myself with other people who are even better at it than I am so we can do more, which is where everyone else comes in. Everyone brings something to the table.

I like creating culture. I think creating something fun and cool and funny is ultimately the objective and incorporating YouTube as much as possible because it's such an insular thing. What I get from a lot of people is, "Why did you put up so much of of Pancakes shit?" Because honestly I wanted to see where it would go because nothing like this has ever been done in the YouTube community. You're getting street comics, and YouTube drama from people used to trolling you in a basement, putting it all together and seeing what happens.

Pancakes had the courage as a troll to show up and do something. I admire that. It took balls.

Def Noodles: 100%. As a comic I can appreciate the balls that it took. That's like, first year comic shit, a lot of the stuff he did, being so antagonistic, so in your face. I used to host open mics in New York and I saw the same thing happen some guy walks in and he's with his friends who think he's funny and he bombs. Those same people who are funny in front of a group of friends cracking jokes can't handle it onstage so they start bombing and panicking.

In one case I saw this guy have a violent meltdown, take off his shirt and start flailing, trying anything he can to be funny. That's first year comic shit. If Salvo had any experience he'd know that he's essentially jeopardizing all the comics around him, and endangering everybody around him, by doing the shit that he is doing.

Sure, he's getting a specific audience of trolls to laugh because of the schadenfreude. They are enjoying, "my downfall." "Yes! Dennis is taking it!" And at what cost? There's no club in LA or New York that would put up with that type of shit.

Also, when you listen to him and look at him in the video of the roast the guy looks unhinged. He looks angry. A roast is a bunch of guys making fun of each other. It's not supposed to be serious. Mr. Pancakes looks like Wolverine going into berserker mode and taking out half of the MCU.

Def Noodles: Yeah, honestly the way we handled it, outside of me pushing him when he wouldn't get off the stage...if I could take it back, yeah, I shoulda woulda coulda walk up onstage and kindly told the dude to sit down and even if he got into my face like I did before he came onto the show.

Was Mr. Pancakes angry and violent with you before the show?

Def Noodles: He'd been trying really hard to break into the green room and cause a scene. Two of my staff had to stop him. He was banging on windows when he first got here. I didn't want to have him in the green room because he had been antagonizing other comics. I didn't want to have a situation in the green room get out of hand, I'd rather have it in a controlled environment where we have three security guards instead of just one back here.

So he was already trying to create a scene before he got pushed?

Def Noodles: 100%. Exactly. He was walked off stage two or three times before anyone walked out. He knew I was going to come out because the show was starting. So he was looking for a reaction, and he definitely got a reaction. He got his clip, he got his fight. He got pushed by Def Noodles and all that . I would have done that differently. I think that honestly, the whole night, considering the environment we had, that we had 10 to 15 hecklers at one time...


Def Noodles killing it at Flapper's.

You guys look like you are all keeping calm.

Def Noodles: Yes, we handled it pretty well. I think Salvo is going to look back at himself and be extremely embarrassed if he isn't yet. Unless he feels absolutely no shame whatsoever or he's that gung ho about clout and getting attention that he'll do anything for it. I do believe that at some point he's going to look back and feel a deep sense of shame because he didn't ruin the show for me, I just feel bad because people came up to me who had also bought tickets for our next show and said they couldn't enjoy the show because he was causing a scene outside and screaming at people outside of the club after he got kicked out.

So Mr. Pancakes was going out messing with the show after he was 86'd?

Def Noodles: Yeah, he got taken out, and after that we wrapped up the show in about a minute after we got our bearings back together. What he doesn't understand is that there is a greater spectrum than the one he is insulated in who just enjoy trolling. There's a greater community. What he did is fucked up.

What bothers me is that in the videos where he talks about the roast Mr. Pancakes says, "Ha! He fell into my trap! Def Noodles totally fell for what I was going to do!" That tells you he is a guy that walked in with an agenda.

What people online need to understand is that in the video, he is trying to destroy the world around him. You guys are being very calm despite that. You're trying to protect the world around you. A protector is under an incredible amount of stress because you are worried about your people and establishment while he's just shooting everything with a flamethrower. When you pushed him you were just trying to protect the show.

Def Noodles: Yes. That's not the narrative on the internet. The narrative is that I assaulted him and he's some sort of victim, even though I've shown how he, a dozen of his friends and some guy who created another show essentially coordinated this attack, how they were literally trying to incite a riot in my building, I got an email from the guy who paid for Pancakes to fly out here tell me a week and half beforehand, "I hope you have insurance, we are going to burn your place down."

Wow. That's not cool.

Def Noodles: They were making threats. They were going to have people faking seizures. The first show we had three security guards work the show. This time I had four and an EMS. It was still not working. I was advised to get off duty LAPD cops to do it and prevent a SWAT raid. They still couldn't handle the situation.

It's more volatile because there are a million people watching online and anything can make you look bad.

Def Noodles: This is unprecedented too because we are filming it live online. Our first show got banned on Twitch because somebody said something that was against the terms of service. We had to figure out with the second show how to have a delay in the stream to save my social media account and not get banned.

I thought his plan was just to go up there and get me banned on my social media accounts. He could go up there and yell a slur, or just hold a sign that has a slur written on it. So I had to be able to censor the stream, and the last thing you want to do with comics is interrupt their flow. I'm literally running a television station that has a delay, like they do for the Oscar's. I can't afford to lose my platforms because of how volatile it has gotten.


Mr. Pancakes, shortly before he left the show.

If you could do it again, what would you have done differently to handle Mr. Pancakes?

Def Noodles: I would have never let him in the building. If I had let him in the building, I would have kicked him out earlier because he was already causing destruction and bothering people. It was my curiosity. I wanted to see the end of the situation instead of cutting it short and thinking of what it could have been. That often bites me on the ass.

You are on the horns of a dilemma too because if you don't let him on, you are a coward who is afraid to face him one on one. So he gets to show up, destroy the place, and to a person that doesn't know what's really going on you look like you just kicked him out. Mr. Pancakes wanted to blow the whole thing up.

Def Noodles: That was a dilemma, too. Somebody highlighted that on Twitter. So it's lose or lose. I got a lot of shit because we got to his part of the show eventually, and there are a lot of people who didn't even watch the whole show, so they just see him get onstage and get kicked out immediately. No, the guy sat there for the whole duration of the show, to the very end, and towards the end I was advised by people I trust to not give him the mic.

People still loved the show. So did people online. So I decided to draw out the suspense. Will I him give him he mic? So we could draw it out for the people online and for the whole community. I asked the audience, "Should I give him the mic?" Some people said, "Yes!" Some said, "No!" I was going to give him the mic anyways. I was just curious to see what he had. 

So I kept walking onstage and getting heckled, and then I got a lull where I could talk, so I tried to thank him for flying over, because I think that took a lot of courage to fly out from Ohio, spend two nights in a hotel...apparently he has a nine-to-five job, he has a wife and kids, he seems like a person who has a full-fledged family and he gave all that up to come here and cause this scene.


At the roast keeping cool while facing the fire. 

At least he looked you in the eye. He's brave for doing that. He made the journey. A lot can go wrong on a journey.

Def Noodles: I respected him for doing that. Then I gave him the mic. His moment in the sun. After everything he did...he completely chokes. And then he says, "I'm not going to do any jokes, I'm not going to roast you. I'm going to monologue for an hour." So he starts to yell, "Fuck Def Noodles," and everything is chanting with him, so I jump in and chant too, I don't give a fuck. Fuck me. Fuck everybody.

You were rolling with the punch.

Def Noodles: Then he starts calling everyone who showed up before him a hack, just disrespecting every other comedian that was onstage, which is an asshole thing to do. He's not really a comic. He doesn't understand what he is doing. Here's the irony. He calls everyone a hack and then starts to make hack jokes, like calling me old, which is stuff that I joke about.

There was this little scandal on the internet that my age was listed as being 37. My agent listed me as being that young so I could get more jobs playing younger roles.

In your defense in Hollywood, it's not your age, and the age you can play. That's what a lot of people don't get. Everyone looks younger in Hollywood. You're not lying, you are indicating the age you can play.

Def Noodles: So ok, I'm old. He had his shot. He had 3-5 minutes. He starts getting heckled and then turns to me like, "Are you going to do something?" I'm like, "Bro, I've been heckled for 90 minutes. You can't take getting heckled for two?" Here's a taste of your own medicine. Eventually security took the microphone away and dragged him out. He caused a scene. That's all he wanted. To be dragged out.

In the video people can see he's trying to peaceful noncompliance act when he raises his arms and just drops on his ass like he's a protestor at a rally on the streets. The problem is a person can't do that in a private establishment. That shows his intent. The owner of a business can legally kick a person out whenever they want. He's trying to act like a peaceful protestor because he doesn't understand the law.

Def Noodles: Like I said, there's plenty of evidence if this ever goes to court. He says he has a ruptured disc...I've had a ruptured disc once and couldn't walk for a week and a half. I couldn't get out of bed. He was running around for two hours after getting kicked out. I was immediately unable to walk.

It's obvious. If he was really injured he would have gone to a hospital, gotten treatment from a doctor, and then filed a police report.

Mr. Pancakes complains, Def Noodles explains.

Def Noodles: He didn't file a police report. He didn't check in with any local hospitals. He's just trying to have his 15 minutes of fame.

Yeah, if he's so busted up because you hurt him so bad, why is he doing all of those interviews? That's not a person in pain and agony, fighting for his life because of the injuries. He's just trying to get bad publicity.

Def Noodles: 100%. Then he gets into his limo afterwards and says he's going to sue me, and he's just joking around. I have footage of him walking away perfectly right outside the club here. He stayed around for ten minutes after the show was over, still bothering people, still getting into vocal situations with people.

Honestly, I don't know where that type of behavior leads you. There's not positive outcome for that. I really believe that there's a cycle of karma. When he's facing the same shit he's been doing to everybody it's going to be bad. Karma is ruthless.

In Hollywood, whether it's film or theater you've gotta get along. He's basically telling every comedy club producer, "I'm going to start a riot. I'm not going to get along, I'm going to bust up your show and ruin it," based on that video of the roast nobody is going to want to hire this guy. He's proven that he's useless and cannot be trusted.

Def Noodles: Somebody like that can only exist on the internet. This little tiny bubble on the internet that values this destructive behavior. That shit gets old. There are a lot of people that have made their careers doing that and they don't really last more than two years. There's always somebody who does that shit better.

That's why it's cooler to build communities, with cool, artistic shit happening to try to empower people so you are building everybody up around you so everybody is lifting each other up and then you have something cool at the end that everybody can show up for, instead of, "I went there for a day and destroyed it. That's my legacy." Can you imagine that? You'd have to be tremendously unaware to think that's good. There were people who came up to me afterwards who were literally traumatized.

The video of the roast looks like a prison riot. It's not cool.

Def Noodles: Exactly, that's the memory he's leaving people with. There are people who did enjoy the schadenfreude. They were super entertained. But that only lasts so long, because if you are just destroying you aren't building something up. You're not adding value.

I agree. What breaks my heart is Mr. Pancakes was so focused on hurting you, and look at the people he was working with? There was some A+ talent on that stage. Steven Marcus Releford has and all of those other comics have worked everywhere. They are in films and on Netflix specials. This guy had a chance to work with talent he never would have been able to work with. He should have said, "Now is the time to get along." Instead he's ruining a career he never really had. He wasted the opportunity.

Setting the stage...literally.

Def Noodles: You are right. People are only seeing only the very beginning stages. They are seeing just a baby that's three weeks old. By the time it's 5 or 10 it's going to be totally different. It's like a television show. There are pilots that are shot on a shoestring budget. The Office only shot six episodes and ended up being the longest running comedy. In every season they got better, they got more writers, they got better at everything, the coverage, the filming.

This is just the beginning. When big companies approve comedies they greenlight a dozen episodes because they know it will take a while for people to understand the humor. So people shouldn't see the second roast and think that's it. We are thinking two or three years down the line. Everybody else is just looking at what just happened.

You are trying to grow roots for a community, for people who are poor and need the money and the stage time. Mr. Pancakes isn't just bothering you, he is burning down a community. He's the bad guy in every Disney film. He's just one person trying to hurt everybody else.

Def Noodles: 100%. We're trying to build a platform in a community that would rather give a platform to sexual predators, right? It pisses me off because I'm the face for all this, so it's like having a target on your back.

People watching the roast should really understand the bad position you were in. In the video Mr. Pancakes looks very angry, his face is red, and you are all doing your best to smile, look confident and keep the show going on. Everybody else onstage was being a professional. You did your best.

Def Noodles: It was definitely a learning experience. I was never in a room that was that hostile. With comedy shows there is an understanding that everybody paid their ticket to be there and is there to be entertained. But there was a large group of people who came and their entertainment wasn't the show, their entertainment was disrupting this show as much as possible.


The mighty Los Angeles underground legend and celebrity comedian 
Steven Marcus Releford, Dennis Feitosa and friends in the green room.

True.

Def Noodles: That's like some Twitter shit. That's gonna be a memory that I'll have forever. There were a lot of comics that weren't really happy about it and I had to apologize afterwards.

He was like a terrorist with bombs strapped to himself. If a person is willing to kill their career to trash your show, and doesn't care about hurting the audience or other performers, even Superman couldn't stop something that bad.

Def Noodles: I didn't expect it to go the way it did. We were talking about it before. He really came here feeling emboldened with all the people backing him up. If he just came here by himself it would have been different. If he had came her with a neutral crowd or my crowd it would have been different. I don't try to use my crowd against people. That would be fucking terrible. Nobody would want to perform here. Weaponizing my audience to attack people who come here...

You don't want to be a demagogue. You want to be a host.

Yeah, exactly. I'm wondering, if he had come here by himself, would there have been a different dynamic? Imagine if he's by himself without the 10-12 people supporting him who were yelling and chanting people with him.

Were those people planted here?

Def Noodles: Yeah, they were plants. I have the facebook posts by this guy from Chicago, his name is Mike, he runs a show called Red Bar, it's like a public access show. He's built a career making fun of comedians. A lot of comedians absolutely despise him and really don't like him. So he paid for Salvo's plane tickets, he paid for him to stay here, he paid for his limo, for his security guard and the fans who came over who were all fans of his show Red Bar.

Mike David, the anti-comedian, and his strange radio show, "Red Bar."

That's how Mr. Pancakes got assistance. He had a bunch of bots.

Def Noodles: Yeah, he got a bunch of people but it was Astroturf shit. What politicians do to each other. They know there is going to be a rally, so they pay somebody to heckle their opponent. They do that shit all the time, it's just that nobody expects that to happen at a comedy show because everyone else is there to be entertained.

Your detractors should also understand that it's very difficult for anyone to keep their cool with a dozen people heckling them. Even Mother Theresa would eventually start flipping them off.

Def Noodles: It's not even protected speech. It's what they call the heckler's veto. It's yelling "Fire!" in a crowded theater. I could take legal action against him for that. For a lot of free speech laws there's a year long statute of limitation on it. I'd have to look into it. I'm pretty sure he committed several crimes with what he did. He said he intended to incite people. That's not protected speech. You can't go inciting people to act that way.

Mr. Pancakes had no jokes. He was just angry. People also have to remember this is after Will Smith slapped Chris Rock at the Oscar's. Every comedian in LA I talk to is afraid of someone walking up and attacking them for performing. They don't want Mr. Pancakes at their show.

Is there anything else you'd like to add?

Def Noodles: I know I got a lot of shit for pushing him. My conclusion is I had two options. I should have either not pushed him or gone all in and knocked him the fuck out.

Get sued. Go to jail. Fuck it, that's punk rock. Not a good way to host a comedy club, though.

Def Noodles: Honestly, if I'm going to get accused of something I didn't do then I'm going to do it. Moving forward I am never going to have a situation like that. I want YouTubers to be a part of this because I think it's a cool thing to have. I have to establish limitations. Sure, I'll lose the public battle on social media because I'm kicking them out of the show, but the integrity of the show is being preserved because people get to see the show they paid for. So at this point I'm learning which battles to choose.

Winning is easy if you're willing to work.

A roast is about having a good time, being funny and constructive criticism. Mr. Pancakes wasn't there for any of that. People who aren't at your level will try to bring you down. It like crabs in a bucket.

Def Noodles: I've learned that I'm a little too laid back sometimes. Honestly, I could end up making this all into a movie. There were two times I had to get off the stage because I needed a drink of water. I was sweating buckets, it was like 120 degrees in Los Angeles. We had air conditioning but there were too many bodies.

The moment I stepped out Pancakes started doing jokes about George Floyd to really piss people off and get us banned. So when I stepped out there was just this wave of negativity and all that anger, while back here (in the green room) it was just chill, but it was like people witnessing an automobile accident. So I'd step outside and just imagine a camera on a dolly following me in and seeing all that. The guy said, on the show, that he flew from Ohio to kill me. That's literally what he said.

Author's Note: Mr. Pancakes was not available for comment.

You can find Def Noodles on YouTube right here.

Check out his Instagram page. It's fun and informative.

Don't forget to follow him on Twitter.

Def Noodles is also on facebook over here.


Wednesday, October 5, 2016

DJ Short - Cannabis

           

            A decade ago writing about cannabis was scary business, because anything related to the substance could get you robbed, killed or thrown in jail. A lot of the professionals related to cannabis were very secretive people, because they knew that since they were somewhat famous, the federal government would love to incarcerate them for a million years as a lesson to others.
            This mentality extended to shutting down cannabis collectives that had made the mistake of hosting press interviews or making too much money. When federal troops raided the world-famous Oaksterdam University up in Oakland, California, it was the culimantion of an extended effort by the government to slam down on an industry that was a threat to their allies, the Sinaloa Drug Cartel.

https://www.rollingstone.com/politics/politics-news/obamas-war-on-pot-231820/

             Apparently, according to whistle blowers connected to an operation known as Fast and Furious, the Mexican cartels that sold cannabis lost so much money to their nonviolent, American rivals that were growing the stuff for patients cheaply up in the states that they appealed to our government to raid the collectives in order to protect their profits.
            All across the country, growers were arrested and put in federal prison as if they were drug dealers straight out of Miami Vice. Shops were raided, small businesses were smashed out of existence, and many very normal, well-meaning people vanished into the prison industrial complex. What made things worse is that because co-ops were kind of illegal, they had to deal in cash only. As a resul they were frequently robbed. Some people were even shot buying cannabis in these otherwise peaceful, very nonviolent clinics. 
            So meeting with the legendary DJ Short was not a calming experience. I had to meet him at a co-op up in San Bernardino, California, the most violent county in the USA (where I grew up), to perform the interview. Out in the parking lot, an armed guard led everybody to their cars. Inside the place, the owners greeted me, ran a background check to make sure I was legit, and then let me talk to DJ Short after mentioning the many loaded semiautomatic assault rifles that had prepared in case local gang members decided to raid the place. Don't worry, they said. I was safe.
...
DJ Short’s Cannabis Cultivation Workshop: The Place to Go to Know How to Grow Some of Mother Nature’s Best Medicine

Since his first experiences with cannabis in 1973, DJ Short has been on the front lines and in the trenches, bringing education and information to the struggle as a soldier, scientist and leader. His Cultivating Exceptional Cannabis Workshop is more than just a solid course on growing quality cannabis; it is also a lesson in morals and ethics…a philosophy that is obviously in short supply throughout today’s corporate America.
DJ Short’s lessons are solid science, as evidenced by his world-respected “Blueberry,” a legendary strain that took 1st Place at the 2000 Cannabis Cup in Amsterdam. His book, “Cultivating Exceptional Cannabis: An Expert Breeder Shares His Secrets” is required reading for anyone who is serious about being a successful, informed cannabis breeder.


Tell me about your anonymity amongst the mainstream culture, despite your legendary status in the cannabis community.

Every once in a while I google my name, and one time I found an abstract written by a professor called, “Transgressive Segregation,” and it was all about human beings manipulating genes to make bunnies glow in the dark, and how it was so Frankenstein, and how that was so extreme, but then he used me as another example of an extreme, and how you have me, DJ Short, but I’m not a DJ in a conventional sense, I don’t spin vinyl, I spin genetics. He uses this phrase, and I’ve used it ever since, he says that I “…possess a paradoxical anonymous celebrity status.”  The professor is an English Professor from Penn State.

So he’s a little like Aldous Huxley?

I would imagine so, because that piece got published in a book put out by M.I.T. I was really quite flattered.


Tell me more about what you do.

Aside from living and breathing, I breed cannabis. I also teach about the merits and benefits of quality cannabis. My goal is to increase the quality of cannabis, but not necessarily the potency. When I lecture on the quality of cannabis, though, I begin with ethics. When someone asks me why I do this, I say that it’s all about the healing.
When I began breeding it was to satisfy my own head. I developed my palette early on by sampling all the cannabis strains going on from the land races of ancient yore. There’s nothing out there like those strains. We are getting closer with Hash. We can have A-Grade Hash, but I seriously question whether we can have A-grade bud outside of the tropics.


Combing your teachings with ethics is very reminiscent of the Greek concept of knowledge. That with all understanding, you had to start with ethics.

When people come to learn from me they are often seeking information, but they also really want enlightenment. The knowledge I possess from sampling the great works of yore, the trial and error I’ve seen, well, as people did for me in my time, I try to do now.
One of the things I really attribute to my success is just being born at the right time. I started smoking herb in 1971. It was beneficial to me in that those who came before me paved the way, they made the mistakes that I didn’t have to make.
Back then, there was a tremendous variety, of because of the work of the people before me, quality was an issue. That’s why I’m here and that’s what I teach.


A very special thanks to The House of Holland Collectives in Riverside, which was kind enough to host this interview. Check out www.houseofholland.com.


Saturday, October 1, 2011

Rumble King TONIGHT at the Hip Kitty in Claremont - Music


        I've been fortunate enough to interview Rumble King several times over the years. I actually know Aaron Deily, the lead singer and piano player for the band, back from when we both used to hang out at Rose's Caffe Luna in Rancho Cucamonga.
        They are playing tonight at the Hip Kitty Jazz & Fondue Lounge in Claremont. Hell, yes.


         It is a freakin' miracle of God that you only have to pay $5 to see this band tonight. They've played everywhere, including the legendary Derby Club (now closed) in Los Angeles, and now the band is going to be performing right next door in Claremont...a town that has all the fun of L.A. without the hassle of trying to find a place to park.


        The Inland Empire has been finally receiving the attention it deserves for the region's contributions to the punk, swing, rock-a-billy and hip-hop scenes in California. If all the other bands out there are boring you to sleep, Rumble King is guaranteed to give you a good punch in the ears to wake you up.
        A previous interview with Rumble King that I wrote for Inland Empire Weekly can be found here.
        By the way, the article from Skinnie Entertainment Magazine re-printed below mentions One For the Road, a swank album in it's own right, but since then the band has released American Juke, another fine creation for any collection, which you can find right here.

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Rumble King Rocks!

        When swing became a cliché in the 90’s the posers packed up and left while the real animals kept rumbling in the jungle. Swing today isn’t exactly hardcore, but it’s underground and the people doing it are doing it for real.


  Rumble King are the real deal and their latest masterpiece, One For the Road, is the third record in a series that only gets more refined as the band rocks on. But Rumble King is more than just a swing band…they are a final distillation of all that is good from what inspired them when they formed in 1996: blues, rockabilly, punk, and, of course, rock and roll.


  Lead singer, pianist and de facto voice of Rumble King Aaron Deily uses a term that needs using…live music scene. There was a time when you couldn’t download music, burn a cd, listen to an iPod or even pop a cassette tape in a stereo, when people had to go to where the music was, the bars, the clubs, that juke joints and the beer stained blues grottos, and that’s where Rumble King can really swing.
        The video of the band performing on their page at www.myspace.com/RumbleKing almost catches that spirit, with all of them dressed to the nines, hair slick and perfect, wailing with the sax, the piano, the guitar, the tenor, the bass and the drums in a crowded night scene that reminds you that swing is here forever and live is where it’s at.

Friday, September 16, 2011

The Awesome Power of Joe Rogan - Comedy

   
    Joe Rogan is more than just a talented comedian— he’s a 21st-century Renaissance Man. Aside from performing stand-up, he’s a commentator for the Ultimate Fighting Championship, was the host of the popular show Fear Factor, and played a key role in the late, great sitcom NewsRadio.
     His Spike TV comedy special, "Talking Monkeys in Space," will air March 27, on Comedy Central, coinciding with its release on CD and DVD. Also look for him in the upcoming big-screen release, The Zoo Keeper.
     Even with all his success, Rogan remains an outspoken proponent of marijuana legalization. As a user himself, he certainly debunks the idea that cannabis smokers never get around to doing anything.
     In an interview with CULTURE, Rogan spoke candidly of his career, his cannabis advocacy, and why politicians deserve roundhouses to the head.
     You’re a brown belt in Brazilian Jiu-Jitsu. Are you training in other forms of martial arts?
     No, basically all I do is Jiu-Jitsu these days. I don’t have a lot of time for anything else. I hit the bag but that’s about it. There’s no brain damage, either. It’s a cumulative thing. That’s why I don’t like to box.
     I’m a huge fan of martial arts. It’s the only sport I follow. I like combat sports but I used to watch professional pool. Pool used to be huge in America, and somewhere along the line it dropped off. People used to dress up in suits to watch it, but something happened and now it’s not as popular.
     A related question: If you had the chance to kick one celebrity in the head and get away with it, who would it be?
     That’s a good question. It would have to be a politician. It would be someone responsible for how fucked up the world is.
     I always wanted to kick Kim Jong Il in the head.
     Yeah, but that’s something the North Koreans should do. You can’t go overseas and mess with other governments like that. That kind of thing has messed up our country.
     You mentioned in one of your shows that around the time you were doing Fear Factor, people forgot you were a comedian. What happened?
     Well, it’s not that people forgot—they just didn’t know. They didn’t know who I was. They just assumed I was only a game show host. They just stop being funny. I think most people had no idea who I was.
     What did you do to turn that around?
      I just kept doing comedy. I think people were coming to see me because of Fear Factor. People came to see me and didn’t know what I was going to do. It’s a matter of doing more comedy. Putting out that last CD (Shiny Happy Jihad) helped out, plus the special on Spike TV, but it was a lot of constantly performing, becoming popular through word of mouth. I was just constantly moving forward. Now I’m more known for comedy and the UFC.
     What can fans expect from the CD/DVD release of  "Talking Monkeys in Space?"
     I did a special for Spike TV, but there’s also a lot of behind-the-scenes material, question-and-answer stuff. We’ll give people microphones and let them come up and ask questions. It’s a fun thing to do at shows—it’s not some act, and people know that you are talking off the top of your head and end up asking interesting questions. It’s a more organic experience. If you like a guy and you see his routine, that’s nice, but there’s a difference between your routine and riffing.
     Are you looking at doing any more movies or TV shows?
     Well I did  The Zoo Keeper recently. Kevin James is in the movie and I play his enemy. I know him from when I was really raw. I had known him way back when I was only doing shows for two years. I don’t mind doing movies, but I prefer UFC and comedy because I prefer not working with actors.
     A lot of celebrities support the medical and recreational use of cannabis, but you really speak out about it. Why is this issue so important to you?
     It’s important to me because when I was younger, I had the wrong idea about pot. I had this misconception that pot made you stupid and lazy. But it turns out that those people were just stupid and lazy. Pot won’t enlighten you if you are lazy.
     A lot of people are victims of the propaganda that was released in the ’30s, and we’re still dealing with that now. Look at Partnership for a Drug Free America—it’s a business. We are being lied to, and it’s as if our society is being treated like nothing but infants. People just repeat what politicians say. They don’t research it.
     People would be angry if they understood marijuana and what was being done to them because they are missing out on a staple of life. It allows you to understand yourself in a deep way, to look upon your actions and how they affect people. It’s a great thing for enhancing your creatively. It’s like a turbo charger. It’s not like it’s hurting me. The stuff that I write is better when I’m high.
     Marijuana can help you find parallels in humor, and make those mental leaps. Comics who explore their own consciousness often use cannabis, mushrooms, etc. because those are tools that enhance perception. One comic who does that is Norm Macdonald. He’s a huge pothead. He has such an oddball, left-field brand of comedy.
    What do you think about the effort in California to legalize cannabis?
     I think the issue is that these people running the clinics are not following the law. They should follow the law and keep the clinics respectable, like placing them away from schools and communities. There’s nothing wrong with doing that. It’s just like liquor stores.
     There’s something wrong with selling it only for medicinal purposes. California needs to change it to a system where it’s available for responsible use. When that’s done, people will pay for it, the state will get money from it and this will open the floodgates.
     But I think the genie is out of the bottle. Thousands of people use it. People don’t have to go to some scumbag to get pot. It’s like we’re still living in the Dark Ages. It’s hypocritical that we have these laws in the Age of Information.
     However, I wouldn’t want a strip club down the street. There’s plenty of room for dispensaries and liquor stores. They will get to the point they need the profit and they will take the chance. It’s changed the way people look at it.
     Obama said he wouldn’t go after people unless they violated federal and state law. That really opens the door for responsible use. You allow it and then require people to get prescriptions, but after that, marijuana is going to be allowed, period.
     Are you a medical-cannabis patient yourself?
     Yes. I have been for the past six years.
     Do you feel your support of cannabis has helped or hurt your career?
     It’s impossible for it to hurt. What I wasn’t going to do is not be honest. What I want to do is to tell the truth. Anything I could gain by not talking about cannabis is something I don’t really want, anyhow.